Purchase leasing agreements for the untagged version of this beat for just $11.99. Exclusive: $119.99. Questions? Email: buybeats@teknodromeuglybeats.com Official Website: http://bit.ly/WAjMyf Facebook: http://on.fb.me/VWrTrx Twitter: http://bit.ly/WAjMyg ©2013 TEKNODROME / UGLY BEATS

Purchase leasing agreements for the untagged version of this beat for just $11.99. Exclusive: $119.99. Questions? Email: buybeats@teknodromeuglybeats.com Official Website: http://bit.ly/WAjMyf Facebook: http://on.fb.me/VWrTrx Twitter: http://bit.ly/WAjMyg ©2013 TEKNODROME / UGLY BEATS

Purchase leasing agreements for the untagged version of this beat for just $11.99. Exclusive: $119.99. Questions? Email: buybeats@teknodromeuglybeats.com Official Website: http://bit.ly/WAjMyf Facebook: http://on.fb.me/VWrTrx Twitter: http://bit.ly/WAjMyg ©2013 TEKNODROME / UGLY BEATS

Purchase leasing agreements for the untagged version of this beat for just $11.99. Exclusive: $119.99. Questions? Email: buybeats@teknodromeuglybeats.com Official Website: http://bit.ly/WAjMyf Facebook: http://on.fb.me/VWrTrx Twitter: http://bit.ly/WAjMyg ©2013 TEKNODROME / UGLY BEATS

Kicks and snares require punch so compress, compress, compress. The way to achieve that distinctive crack is to set your attack time to 3-6ms, allowing the sharp transient through before the signal gets attenuated. Then, raising the ratio and lowering the threshold will further accentuate the crack in relation to the rest of the kick.

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There’s an old production adage that it’s not what you put in but what you take out that makes the difference, and this is never more true than in hip-hop production. Resist the temptation to keep adding parts, and make sure you leave plenty of room for the parts to breathe (some hip-hop beats only have one or two kicks per bar).

If you’re using more than one mic on the same sound source, watch out for potential phase problems. A useful diagnostic technique is to pan the mic sources left and right, then listen in mono and stereo. If the sound becomes impossibly compromised in mono, you know you’ve got a problem…

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Most of your drum sounds will benefit from some EQ, and if you’re struggling to make one of them cut through, adding some kind of high frequency boost or an exciter can work well. Just be aware of the standard EQing technique of cutting unneeded and clashing frequencies from other drums before boosting.

A chill dubstep track could be used by a singer or rapper

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Need HORRORCORE beats for your next project? I got you covered! Visit http://www.teknodromeuglybeats.com for some of the goriest beats around! You can either lease your tracks today for just $11.99 or $119.99 for exclusive rights email me at teknodrome.uglybeats@gmail.com . Artists its time to step your music career up to the next level! Purchase your next brutal beat TODAY!

Danny Boy Promotions hosts a Southern California Sunset Beach Shoot 8/18/11. Produced by Ivan Perez of DBP

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If you are a model or interested in casted or booking models please email DBPLA@Yahoo.com or call 626-616-6291

This is just a teaser!!! Professional photos coming soon.

Special Thanks to Models Alyssa, Danielle, Jessica, Samantha & Samaiya. Thanks to Photographers David Santiago, David Odio, Make Up Artists Pineapple and Lisa Leming. Thanks to hair stylist Geselle Vindiola and President of Danny Boy Promotions Danny Sisneros. Shout out to TEKNODROME / UGLY BEATS for supplying the beat!!!

Take care to avoid cutting off breath noises, as they can make a vocal sound more natural. Taking them out will result in a very artificial sounding mix. Obviously, any other noises made by the singer in between lines (mumbling, coughing, throat-clearing, etc) will need removing, though.

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